How People with Dietary Restrictions See Menus Plus: a new cartoon from Adam Douglas Thompson. The New Yorker sent this email to their subscribers on February 27, 2024. Plus: a new cartoon from Adam Douglas Thompson.View in your browser|Update your preferences\xa0Today’s cartoon, by Adam Douglas Thompson:“Well, can we at least pass a short-term, stopgap bill to fund the universe?”Open in browser to share this cartoon »Buy a print »\u200aMore in Humor\u200aHow People with Dietary Restrictions See MenusVegan options: Mound of celery and carrots (no dip); the garnish parts of the charcuterie board.By\xa0Emily MenezEmbarrassing Injuries of Middle AgePulled neck muscle trying to open a jar, arthritis from holding your smartphone, and more.By\xa0Emily FlakeToxic Emotional-Support AnimalsScary spider, downer dog, caustic crow, and other critters that will trigger a downward spiral.By Jade Orlando\u200aThis Week’s Caption Contest\u200aSubmit a caption.Play to win.You be the judge.Help us pick three finalists by rating submissions.The final three.Help select the winning caption.\xa0The winner.See who won (finally).\u200aOne More from the Cartoon Archives . . .\u200aSee cartoons for purchase in our store »\xa0\u200aName Drop\u200aName DropName Drop,The New Yorker’sTrivia GamePlay a quiz from our archive: Can you guess the identity of a notable person—contemporary or historical—in six clues?\xa0\u200aMore from The New Yorker\u200aLetter from the West BankThe Israeli Settlers Attacking Their Palestinian NeighborsWith the world’s focus on Gaza, settlers have used wartime chaos as cover for violence and dispossession.By Shane BauerOur Local CorrespondentsMourning Flaco, the Owl Who EscapedThe Eurasian eagle-owl lived for a year outside captivity, learning to hunt and travelling widely in Manhattan. “I felt like I lost a friend,” one birder said.By Naaman ZhouThe Current CinemaTwo African Migrants’ Fantastical, Harrowing Odyssey in “Io Capitano”Matteo Garrone’s epic about two young Senegalese cousins attempting to reach Italy is his finest film since “Gomorrah.”By Justin ChangNotes on HollywoodCan You Really Want an Oscar Too Much?It’s the ultimate paradox of campaigning: an actor must somehow be dedicated but not try-hard, authentic but not award-hungry.By Michael SchulmanYou’re receiving this e-mail because you signed up for Daily Humor fromThe New Yorker. Was this e-mail forwarded to you?Sign up.\xa0Manage your preferences|View our privacy policy|Unsubscribe\xa0Send feedback|Share e-mail\xa0Copyright © Condé Nast 2024. One World Trade Center, New York, NY 10007. All rights reserved.
